11 Track EP Sergeant Peppers

This piece based on Seargant Peppers Hearts Club album. I used a compass to draw out 11 rings and within each ring would be a abstracted representation of each song. I tried to use a different quality of line to describe each track.

As I got into the centre the circle got smaller and smaller and there was less room to work with. Overall I prefer the free hand drawings better because it doesn't feel like it flows as well. It was a good experiment but not the way forward as I feel it lacks energy. 

11 Track or 5 ?

Up until now I've just been making EP's based on a selection of 4-5 songs that I felt well particularly strong visually. On the other hand, when I did 11 tracks, some of the lines looked weaker and didn;t have as much variation or contrast. .I think I am going to stick with what I was doing before because 4-5 good lines are better than doing 11 with over half of them looking weaker than the latter.

Developing continuous line style II

I keep practising drawing new designs often but there are some drawings that end up being something that I don't even like. Instead of throwing them away, I think it's good to look at them and think about why aren't they successful and what I can do to make them better.

This post is about what I've learnt from drawing them.

This piece didnt work because of the outer border. It throws it off and looks unfitting. 

The designs lead the eye to the middle because of the spiral shape.Therefore, when the "hole" becomes misplaced, it becomes very obvious to the viewer of the mistake. I need to put the hole at the end instead of planning to put it in the center before I draw the spiral.

Developing a continuous line style

By building upon what I had done with my initial line drawings in the blog post: continuous line drawings of Beatles Songs I plan to develop this further by concentrating on line and the quality of line.

Below is a image of one of many drawings I did with a brush pen. They look quite messy and the line is a bit all over the place. 

After doing many of these, I decided to move onto finer line and what I can do to make it look like a pattern whilst maintaining a continuous line throughout. This is a drawing of the Beatles song: Getting Better. 

At the moment my style is freehand, I'm not worried about making it perfectly circular. I think the looseness of it will help express the flow of music better.

Investigating vinyl and considering the appropriateness of continuous line

So I bought my own Vinyl from Fopp the other day of Hot Chips "Why Make Sense" and I was quite excited about opening it. It even had a free mp3 download code so I can collect the physical Vinyl and listen to it (without buying a Vinyl player)

I took some pictures. Due to the size of it, it felt tactile and that I really own something whereas if I just downloaded it from Itunes, it would just be something that's on your computer that you easily forget about.

I was interested in looking at the grooves in the vinyl. I know we take it for granted, but in a way it's like magic how these indentations on this surface can actually produce music that's a feast for the ears. I wonder how the grooves translate into different sounds. 

Another thing I realised were there were some more solid grooves that divide the smaller grooves into "sets". 

Figurative to Abstraction ?

So I have two approaches, drawing with continuous line or using pictorial representation. Pictorial is more about illustrating the lyrics and telling a story with them. On the other hand, the more abstract approach is continuous line which is about translating what the sound would look like by altering the quality of line. For example, loopy lines? jagged lines? pointy lines? big lines? small lines? 

I think continuous lines work better because they capture the essence of music more effectively. The continuous line represents the grooves that go round and round indefinitely.  The same set of lines are echoed throughout the drawing each time the same beat is repeated in the song. But at the same time as the song reaches different interludes, intros' and outros, its like a energy that is constantly changing. 

Adding texture to Lucy in the Sky with Diamonds

I tried experimenting with mark making and using it to shade each section. I wanted to see if it worked like tone instead of using colour.

I made the background black (like it would in a relief print) to contrast it against the white space. Close up there is variation in the marks but loking at it from a distance, it doesn't seem to work very well at all.

It's not a very good fit, so I think I'l try experiment with something else. 

Pictorial Designs of "Lucy in the Sky with Diamonds"

Following my last post, I thought I try applying colour to Lucy in the sky with Diamonds building upon my previous design shown in Pictorial sketches of Beatles Songs

The darker colours seem to not work as well as Good Morning, the lines get a bit lost. 

Pictorial Designs of "Good Morning"

These series of sketches depict Good Morning as a pictorial Vinyl design. Elements that make up this are loopy lines, dashed lines, curved lines, wavy lines as well as cartoon suns, clouds, stick figures, birds etc. It kind of resembles something you'll find on a plate or something...

After this I questioned "Does this need to be symmetrical?". It doesn't have to be. So I tried doing the same design asymmetrically. It looks like a narrative, like a little story is being told about someone's morning.  

Adding Colour

Continuous line drawings of Beatles songs

In this approach I use continuous line to describe what the each of the Beatles tracks would look like. It is like a stream of consciousness in a way. The quality of line changes to how the track gets louder or quieter, or to the rhythm/pace of it.

In fixing a hole, the line looks warped because I felt the song sounded psychedelic and hypnotic. However, this could have been a pre-conception I had about it before I listened to it, therefore this design maybe cliché-d  

Pictorial sketches of Beatles songs

These are the first out of a series of sketches, I'm trying to interpret what Sergant Peppers would look like if it was graphical. I'm translating something that is sound into something that is pictorial. I was listening to each track while I was abstracting them into line / shape/ icons.

I have come across two different ways of working.

Pictorial 

When listening to some of these tracks, certain icons came to mind and I drew what I could see in my minds eye. Some of these are from lyrics,or a geometric shape that represents the mood of the song.

This one is Lucy in the Sky with Diamonds. I drew diamond shapes as diamonds, for some reason I drew eyes. Not entirely sure why there are leaves and almond shapes though.

For Good Morning, I drew things that fit into the theme of a brand new sunny day. Such as clouds, sunshine, wavy lines and sounds such as barking or a Rooster

This song When I'm Sixy Four which is about growing old with someone special. I actually had quite a lot of fun with this one. I drew kisses and hearts because the song was about a woman. This gave it a certain sense of naivety to it which adds to the charm. 

This one looks quite different from the rest of them. To me, it reminds me of the beach for some reason.

And I will be covering the continuous line sketches in my next post...

Relief Print of Vinyl Design

I've finished my first relief print of my vinyl design, it took so many test runs but got one im happy with now.

This is based on Sergeant Peppers Lonely Hearts band, each 1/4 represents a visualisation of track 1-4.

I think it's worked out quite well. The inverted black and white color's from the lino make it look like a Vinyl.

I plan to do some more designs by visualising the music as lines (energy essentially) and to develop them. When I come up with a more resolved design I will either Lino cut them or to transfer them onto Screen print. 

Vinyl background and contextural Research

Prior to the 1950's, the 12 inch Vinyl was a format that allowed artistic expression and visual experimentation. The size of it gave designers a lot of room to work on. For instance, there is an incredible amount of detail in Sergeant Peppers Club artwork.

After 1985, compact discs as we all know took over and Vinyl started appearing in junk sales or charity shops. The smaller canvas was more limiting to work for designers to make album artwork on. The cover sleeve became more commercialised as it was managed by publicity departments in record companies who concentrated on revenue from album sales. Often large obtrusive stickers covered up the cover art. The cover sleeve became a marketing surface rather than a medium used to as artistic expression. 

This is why I am interested in cover work and making work based on music. It's about bringing back the emotion to visual communication of music. 

"Most people buy records because they are emotionally or artiscally engaged by them and the sleeve plays an important part in formulating this response"

 - Sampler: Contemporary Music Graphics.

What is your work about

In this project I want to explore printmaking processes such as Relief printing, letterpress, Lithography and Screen printing. (not all, those are the possibilities) And experiment with different visual elements such as: pattern, texture, process color printing, black and white printing, monochrome printing etc.

An Exploration of Graphic Art and the visual language associated with music culture

Developing Practice Revised brief.

I've rewritten my proposal for this module to make it more clear and focused. My last proposal was a bit too broad / open ended.


What is your work about?
I want to find out how I can re-invent old retrospective processes and use it to make a new comment that is contextually relevant about the present.

What is your area of graphic arts, what is it about this area that most interests you?
I want to develop a greater understanding of the visual processes, language and aesthetic associated with print making, to underpin and compliment my digital skills. I see this as being essential to my ability to work and design in the future.

Who are the practitioners that influence you? How and why?
I am interested in print making and book making: I will need to identify what the classic album covers are and who designed them.

How does the study you are proposing relate to your ambitions beyond graduation?
The study I propose to do will help me by giving me a strong portfolio of work and the ability to use different media.

Define what the theme/question of your study/project will be

Can you capture the essence of album covers using color, pattern and texture? Is it possible to “distil” the visual language of a genre? 

For example, an abstract depiction of the Hippie genre could be a sun. Or Black Sabbath's music can be represented by pointy triangles and a little circle can suggest an impending sense of doom. 

Schedule

Indesign project: Manifesto

I've been attending indesign workshops at UWE to learn how to make a booklet. I am going to use my unresolved Manifesto as a way of learning print and binding a book.

I am going to Japanese Stab bind a booklet with these following points as my design value Manfesto.


Title:

"Art that makes me Happy
Wilson Chiu Manifesto."

1. I like art that forces you to think about something from a different perspective.
2. I think Typography and letterforms are beautiful.
3. To break the rules you must first understand how the rules work first.
4. Sometimes happy accidents happen. Use them to your advantage
5. Be curious.
6. It is important to plan out the appropriate concept of a piece.
7. Once a piece of art is created, it is open to interpretation by other people and what it means to them.
8.  If a piece of work communicates the intended message effectively, then you have done your job well.
9. I would be unwilling to make design work for an unmoral cause even if it paid well.
10. My work design have to be world changing. If it reaches out to even just one person, then I feel this is a good thing.
11. I like sharp, clean design. For this reason vectors and 2D flat design appeals to me.
12. Art should be visually engaging in order to get the audience’s attention.
13. Personal development is more important than competing with other people.
14. I like things to be orderly. 
15. I think the asterisk looks nice.
16. Sometimes simple can be effective.

Serenity Visual Shop page

Client notes

I've layed out the products in alphabetical order with linked images that go to your Facebook albums.

Serenity Visual Services page

First draft

I was explaining to the client my design choices and the different features of the website. It has been an useful experience working with someone who is less tech savy, in future this will help me to be less jargon-y when communicating with clients.

Finalised draft after amendments

Serenity branding finalised design

Homepage design

I’ve been putting a lot of hours into your website and I’ve made some progress! I’ve produced a visual of what the finished website could look like. It is much easier to edit an image than it is to edit code so it will be more efficient for me to do it like this.

Last time I spoke to Sheila she said the previous design was too busy, so I’ve come up with a new idea based around her motif of the butterfly that represents her brand identity. The “heaven” image I took from her Facebook was eye catching but I think it drew the attention away from “Serenity-Ashburton”. 

Serenity website Development

Initial Mock-up Designs 

These are my designs that didn't make it into the final product for various reasons but I thought it still be good to document to show my development of ideas and I how my ideas changed along the way. Improved finalised designs to be posted soon.

Punk inspired visuals

Trying out the "No Longer Great Britain idea" again

Quoting 1970s Sex Pistols song "Anarchy in the UK"

Revisited Punk collage

Developing Practice

Original collage v1

Revisited work v2

Research Project Sources

List of reference material used for research:

• Secret life of teens- online versus offline- Photographic displays at home
  Abigail Durrant , David Frohlich , Abigail Sellen & David Uzzell
  
• Social networking sites and our lives report
  Keith N. Hampton, Lauren Sessions Goulet, Lee Rainie, Kristen Purcell
• Taking risky opportunities in youthful content creation
  Sona Livingstone
• Textual strategies the politics of art making
  Barry, J and Flitterman-Lewis, S.
• Participatory Culture- spreadable media
  Henry Jenkins
• Manufacturing Consent
  Noam Chromsky

Blurb reading summary of Henry Jenkin's series of books

Daniel Miller Anthropology and the individual: a material culture perspective

http://www.vlebooks.com/vleweb/Product/Index/269099 

• Essay explores the relationship between: indiviuals, networks and place 
• Argument between: Social media better communication and interaction through time and space versus
• Physical isolation and separation: placed based belonging- communities, societies, neighbourhoods 
• Making a profile acts as self-construction of an online identity. Personal expression (especially for teenagers, a time for them exert their own independence and autonomy from their family.