Monday, 1 February 2016

An Exploration of Graphic Art and the visual language associated with music culture


Developing Practice Revised brief.

I've rewritten my proposal for this module to make it more clear and focused. My last proposal was a bit too broad / open ended.


What is your work about?
I want to find out how I can re-invent old retrospective processes and use it to make a new comment that is contextually relevant about the present.

What is your area of graphic arts, what is it about this area that most interests you?
I want to develop a greater understanding of the visual processes, language and aesthetic associated with print making, to underpin and compliment my digital skills. I see this as being essential to my ability to work and design in the future.

Who are the practitioners that influence you? How and why?
I am interested in print making and book making: I will need to identify what the classic album covers are and who designed them.

How does the study you are proposing relate to your ambitions beyond graduation?
The study I propose to do will help me by giving me a strong portfolio of work and the ability to use different media.


Define what the theme/question of your study/project will be



Can you capture the essence of album covers using color, pattern and texture? Is it possible to “distil” the visual language of a genre? 


For example, an abstract depiction of the Hippie genre could be a sun. Or Black Sabbath's music can be represented by pointy triangles and a little circle can suggest an impending sense of doom. 



Schedule

  1. Decide the EMOTION of a set of album covers 
  2. Try to communicate the same EMOTION with restricted variables e.g. shape/color/texture as form of prints or infographics pieces
  3. Start doing something (to get myself started) and to be not afraid to make mistakes.

Reading list

  • People of print by Macroy Smiuth, Andy Cooke
  • The age Of Collage, Contemporary Collage in Modern Art by Silke Krohn and Dennis H. Busch 
  • Penguin by Design: A cover story 1935- 2005 by Phil Baines
  • Sampler Contemporary Music Graphics by Adrain Shaughnessy
  • Design after dark, the story of dancefloor style by Cynthia Rose
  • Instant art of the Punk Rock Movement Photocopied byTurcotte Miller
  • Visble Signs by David Crow
  • What is Graphic Design for by Alice Twemlow